David Gilmour’s to start with guitar solo on Pink Floyd’s “Comfortably Numb” is a soaring, melodic masterpiece that utilizes practically exclusively arpeggios.
In this lesson online video, Joe from Reverb.com examines how Gilmour utilizes arpeggios in relation to the root notes of the chord progression—and how he moves from placement to placement.
As a bonus, you get to see (and listen to, clearly) numerous pedals in action, together with the Tym Guitars Big Mud, the Catalinbread RAH, two MXR pedals (Dyna Comp and Carbon Copy Analog Delay) and an Alexander Oblivion Vintage Delay.
Gilmour’s traditional solo was lower employing a combination of Hiwatt amps and Yamaha rotating speaker cabinets, Bob Ezrin—co-producer of The Wall—told Guitar Planet numerous years in the past. But with Gilmour, he added, tools is secondary to touch: “You can give him a ukulele and he’ll make it audio like a Stradivarius.”
Which does not necessarily mean Gilmour did not fiddle all over in the studio when he laid down the song’s unforgettable guide guitar part.
“I banged out five or six solos,” Gilmour reported. “From there I just adopted my regular method, which is to pay attention again to every single solo and make a chart, noting which bits are very good. Then, by following the chart, I make a person wonderful composite solo by whipping a person fader up, then a further fader, leaping from phrase to phrase until eventually everything flows alongside one another. That’s the way we did it on ‘Comfortably Numb.’”